ELEKTRA 16: Sound Takes Centre Stage
For sixteen years, ELEKTRA has been identified with audiovisual performances. In a very visual society, the festival now wants to bring audio back
to the foreground.The program focuses on works where sound is the central element, offering newresonances to discover. Alain Thibault, artistic
[vimeo id=”127527954″ width=”600″ height=”350″ autoplay=”no”]
director of ELEKTRA, presents the sixteenth edition as a chance to listen differently. The festival brings together
artists who
experiment with sound, light, image and technology, but this year theear becomes the privileged point of entry. The program includes performances, installations and international guests whose works explore the physical and emotional power of sound. Some pieces are
[youtube id=”ecMi_L3QhXc” width=”600″ height=”350″ autoplay=”no”]
immersive, others minimalist or noisy, but all invite audiences to experience digital art through listening as much as through sight. ELEKTRA also continues to
play a major role
within Printemps numérique. It connects Montréal audiences with creators from abroad and helps confirm the city’s position

and electronic arts. By putting sound in the spotlight, ELEKTRA 16 reminds us that digital creation is not only seen on screens. It is also heard, felt and experienced through the body.
Similar posts
Culture and Creativity
read the article
LUNGTA: Breath as a Source of Inspiration
As part of the 2014 Biennale d'art numérique, Patrick Saint-Denis presented his interactive work LUNGTA at the Maison de la culture de Pointe-aux-Trembles...
Culture and Creativity
read the article
The Chromatic Festival Arrives in Montréal
The Chromatic Festival returns for its ninth edition from May 26 to June 2. Created by MASSIVart, the event breaks away from traditional exhibition formats and offers eight days of contemporary interventions in the...