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An Ode to Nature at the Sight + Sound Festival

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An Ode to Nature at the Sight + Sound Festival
An Ode to Nature at the Sight + Sound Festival

June 21, 2026

4 minutes read

article author

Printemps Numérique

EasternBloc, throughits Sight + Sound festival, never stops surprising us with the originalityof

its

invitedartists. Intriguing and disorienting, the event welcomed two renowned artists with diametrically opposed styles on May 21: Rie Nakajima and Martin Howse. Rie Nakajima

Rie Nakajima - Photo : Myrianne Beaudoin-Thériault
creates delicate

sound installations using small objects, motors and subtle movements. Her work often seems to

give life

to materials that might otherwise go unnoticed. It invites the public to listen to tiny vibrations and to perceive

Rie Nakajima - Sigh & Sound - Photo : Myrianne Beaudoin-Thériault
space as a

living environment. Martin Howse, by contrast, works with systems, earth, signals and the hidden forces that run through matter and technology. His practice is more

raw

andconceptual, questioning the relationship between nature, computation and the body. Together, the two performances formed an ode to

Martin Howse - Sight & Sound - Photo : Myrianne Beaudoin-Thériault
nature, but not

in a

conventional sense. Nature appeared as vibration, energy, material and process. The festival setting allowed these approaches to meet in a space where sound and digital art opened new ways of sensing the world. Sight +

Martin Howse - Sight & Sound - Photo : Myrianne Beaudoin-Thériault
Sound once again

showed that

experimental art can be both demanding and deeply engaging, especially when it makes us listen to what usually remains invisible or unheard.